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Making our cultural
affairs more accountable
By Tseng Dau-hsiong 曾道雄
When my students told me that the Council for Cultural Affairs spent NT$215
million (US$7.15 million) to produce a two-night rock musical titled Dreamers
(夢想家) for the Republic of China centennial celebrations, I thought it was just a
rumor and that the figure must have been exaggerated. I was absolutely shocked
when I found out it was true.
Shocked, because I know how difficult it is to raise funds in the cash-strapped
world of the performing arts. Investment tends to be on the anemic side. And
then, all of a sudden, we turn around and see a grinning vampire in the next
seat.
Sure, the production budget for an opera or musical can be huge, but this NT$215
million show only lasted two nights. With half that amount I could produce
numerous performances and still have enough left over to support myself for the
rest of my life.
This is why, on receiving the National Award for Arts in September, I was keen
to suggest that the council only need plan for the nation’s long-term cultural
policies and development, instead of holding cultural and leisure activities. It
should pour its budget for arts and cultural events into the National Cultural
and Arts Foundation. Then, it could provide stimuli for local artists through a
thorough and objective review system for subsidies, turning them into a real
cultural force for the nation.
Council for Cultural Affairs Minister Emile Sheng (盛治仁) came out fighting in
defense of the show and the theater that won the bid to produce it. Sheng said
it took the group about two years to prepare for it and the electricity bill for
the show alone was about NT$9 million. Then there was the so-called “creativity
fee” for the large design team (although this does raise the question of which
show does not involve creativity). Therefore, he said, the budget was
reasonable.
Sheng is talking nonsense and seems to be trying to take people in the arts and
cultural sector for fools. His behavior was not like that of a cultural
minister; it was more like that of the marketing director for the group that won
the bid, or perhaps their accountant or treasurer.
President Ma Ying-jeou’s (馬英九) indulgence and countenancing of Sheng’s
extravagant use of the cultural budget has allowed Sheng to transform cultural
affairs into some kind of distasteful political propaganda. No wonder Ma is
having a hard time with his re-election campaign at the moment.
The poor monitoring and supervision of these matters by legislators from both
the ruling and opposition camps certainly contributes to the problem, resulting
in abuse and an uneven distribution of national cultural resources. Lawmakers
from the ruling camp have always toed the government line. As for those from the
opposition camp, they are not going to win votes by simply complaining about the
situation in the media. The nation’s arts and cultural groups must look beyond
their political affiliations and take the matter into their own hands.
Hopefully lawmakers from both camps can investigate the musical’s budget and
deal with any misconduct that may have taken place. Otherwise, those on the
legislative floor may have a hard time winning votes as they seek re-election.
Tseng Dau-hsiong is a winner of the 2011 National Award for Arts.
Translated by Eddy Chang
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