FEATURE: Novel offers
glimpse into Taiwan¡¦s dark past
FAMILY DRAMA: Set in Taiwan during the White
Terror era ¡¥The Third Son¡¦ focuses on sibling rivalry and the healing power of
love and is to be published in the US next year
By Dan Bloom / Contributing reporter
From Amy Tan¡¦s successful Asian-American novel The Joy Luck Club through to
Maxine Hong Kingston¡¦s China Men ¡X both published more than 20 years ago and
helping to open the gate of opportunity for other Asian American writers ¡X
novels about Taiwan, China and Japan have become a staple of the US publishing
scene.
Now comes Boston native Julie Wu (§d¯ú¨q), the daughter of Taiwanese immigrants,
with a new entry into the genre that, for the first time in US fiction, includes
the events of the 228 Incident and the White Terror period within a family drama
about love and sibling rivalry.
Wu, 46, was born in Massachusetts to parents who met and married in Taoyuan. Her
first novel, The Third Son, is already attracting plaudits and awards even
before publication.
Wu explained in an recent e-mail interview how the book, which recently won a
Massachusetts Cultural Council grant, came to be and who she hopes its audience
will be.
¡§The Third Son is the title I came up with back in 2001 when I started the
novel, more than ten years ago and it has somehow lasted through all my
revisions,¡¨ she said. ¡§The hero of the story, Saburo, is indeed the third son in
his family and his character was inspired by my father, who was also the third
son. I think everyone has experiences with and expectations of how birth order
affects status within the family, so just stating that someone was born third
already suggests the kinds of struggles that are at play.¡¨
¡§In the novel, Saburo is beaten daily and his parents clearly treat his siblings
better,¡¨ Wu added. ¡§While certain aspects of Saburo¡¦s experience were inspired
by my father¡¦s life, some were not. As a novelist, of course, I am writing
fiction.¡¨
¡§In the opening scene, Saburo saves a girl during a US air raid over Taiwan
during World War II when Taiwan was part of the Japanese Empire and he spends
the rest of his childhood looking for her. When he finally finds her, she is
already being pursued by others, including his brother. Even after they marry,
he has to fight for her all the way to the end,¡¨ she said.
Wu was born in the US, but traveled to Taiwan in her 20s to do research for a
different book that she had in mind. She took a lot of notes during the trip
that she still refers to sometimes, she said.
¡§Since my book is a historical novel, I did a lot of research online and in
books and magazines about Taiwan life in the 1940s and 1950s. Of course, I also
interviewed my parents and continually asked them questions about that period. I
would have liked to travel to Taiwan again, but I have two young children and
traveling is much more difficult than it used to be,¡¨ Wu said.
Wu said she keeps up with current news events in Taiwan from her home in Boston,
adding: ¡§Taiwanese culture and politics seem very intertwined to me. They both
interest me.¡¨
Wu grew up in the Boston area and went to Harvard as an undergraduate, majoring
in literature, but as a reader not a writer.
¡§I started writing a couple of years after I graduated from Harvard when I was
doing graduate studies in opera at Indiana University in 1989. I never finished
my opera degree, but I took an excellent writing workshop in Indiana and that
was really my first step along the writing path.¡¨
Wu has a medical degree and worked for a few years in primary care, she said,
but after she had her two children, she decided to stay home and focus on
writing. Her husband is also a doctor and works as a pulmonologist.
¡§A couple of years after I left Indiana I went to Columbia University School of
Physicians & Surgeons to become a physician,¡¨ she said. ¡§I did my internal
medicine residency at Beth Israel Deaconess Medical Center in Boston. Now I¡¦m a
novelist, and I should say, one of the beautiful things about being American is
feeling that you can change your career at any time.¡¨
The genesis of The Third Son was long and convoluted and took a lot of time. She
initially started writing a novel when she was in Indiana in 1989, thinking that
it would be partially set in Taiwan, but when she started asking her parents
questions about Taiwan, they told her things that they had never revealed before
and she realized the first novel she was trying to write was boring compared to
her parents¡¦ own background.
¡§In 2001, I finally had the time to sit down and interview both my parents
properly and their stories stunned me,¡¨ Wu said. ¡§So you could say that The
Third Son began as a kind of biographical novel about my parents, but over the
years, as I learned more about writing and received some feedback, I realized
that if I wanted to write for readers beyond my own family I would have to be
willing to change the facts to make the story more dramatic, moving and
thematically cohesive.¡¨
She did just that and the result is a powerful story about Taiwan that is set to
be published by Algonquin Books early next year.
¡§In the end, the historical details and events are as accurate as I could make
them, but the characters and their actions are figments of my imagination,¡¨ Wu
said, adding that she hopes her novel will appeal to anyone, anywhere, any
country, regardless of nationality or gender. ¡§The issues I focus on in the book
¡X oppression, sibling rivalry and the healing power of love ¡X are universal.¡¨
One of the issues Wu¡¦s novel addresses is the 228 Incident.
The 228 Incident refers to an uprising against the then-Chinese Nationalist
Party (KMT) government that began on Feb. 27, 1947, and was followed by a bloody
crackdown, resulting in the deaths of tens of thousands of civilians. It ushered
in a period of White Terror that saw thousands arrested, imprisoned and
executed.
When asked if she thinks US readers know that term or know much about that time
in Taiwan history, she replied: ¡§In my experience, Americans are universally
ignorant of the February 28th Massacre known as the White Terror, except for
scholars of the region, although I recall that even a classmate of mine who
majored in East Asian Studies at Harvard, graduating in the late 1980s, still
knew nothing about 228 or the White Terror period. I would say that censorship
by the Taiwanese government at the time was very successful in this regard, as
with many atrocities in corners of the world.¡¨
¡§I do find it disturbing that so few Americans know even the basics of Taiwanese
history or politics. I hoped that setting my story during this period would help
people understand on a personal, emotional level, the origin of current
conflicts in Taiwan and across the [Taiwan] Strait,¡¨ she added.
Since her story takes place partly during the Japanese colonial era in Taiwan,
Wu said there are some Japanese characters in her novel, too.
¡§In particular, I created a Japanese schoolteacher who has a lot of influence on
Saburo,¡¨ Wu said, adding: ¡§As readers will see, some of the Taiwanese characters
in the novel go by their Japanese names.¡¨
When asked if her parents had read the book, either in drafts or in the final
copy, Wu said they had, noting: ¡§They both read it, bless their hearts, many
drafts of the book. I am extremely lucky to have had them as resources and also
grateful that they gave me license to truly make the book the best work of
fiction it could be.¡¨
Wu said that she sees herself as both a Taiwanese-American novelist and an US
novelist.
¡§I am totally Americanized in how I think and lead my life, so my point of view
is American. At the same time, I am fascinated by my heritage and Taiwanese
history,¡¨ she said.
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