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Directors seek to
boost anti-nuclear bid
CREATIVE PROTESTS: The directors called on
artistic heavyweights to join their anti-nuclear bid, and said that art rather
than rhetoric could best serve the cause
By Tang Chia-ling and Stacy Hsu / Staff reporter, with Staff
writer
In a move to strengthen their anti-nuclear efforts, film directors Ko I-chen
(柯一正) and Wu Yi-feng (吳乙峰) are considering inviting well-known people from the
artistic and entertainment industries to endorse their petition against the
construction of the nation’s controversy-plagued Fourth Nuclear Power Plant in
Gongliao (貢寮), New Taipei City (新北市).
In a statement jointly authored by Ko and Wu, which they said would be published
on their Facebook pages in the near future, the pair called on heavyweights from
the artistic and cultural sectors to weigh in on their anti-nuclear bid.
“We will spare no effort in inviting Taiwanese ‘living national treasures’ to
join our cause, such as globally acclaimed director Hou Hsiao-hsien (侯孝賢) and
Cloud Gate founder Lin Hwai-min (林懷民),” Ko said.
The statement also urged the government to scrap a budget proposal to invest
several billion NT dollars more in the contentious plant, “for the sake of
offering peace of mind to the many parents in the country and their offspring.”
“Granting the additional budget to the nuclear power plant not only is
tantamount to [throwing money into] a bottomless pit, but could also signal the
onset of a major, irreversible catastrophe,” the pair said in the statement.
However, if President Ma Ying-jeou (馬英九) came forward and headed off the
tragedy, it could become the “greatest contribution he has ever made to
Taiwanese society,” they said, adding that now was the critical moment for Ma to
create a historical legacy.
The statement came after a flash mob initiated by Ko and several other directors
on May 28 last year on Ketagalan Boulevard in front of the Presidential Office,
in which about 60 people formed the Chinese character ren (人, human being) for
30 seconds while shouting “I am a human being, I oppose nuclear power.”
“As using nuclear power would inevitably leave behind waste for future
generations, the artistic and cultural industries are obliged to issue a warning
against such an unjust action and prevent the Fourth Nuclear Power Plant from
asking for more funding,” Ko said.
Ko said that since directors were not always good with words, voicing their
opposition to nuclear power via creative approaches seemed more appropriate than
using verbal tirades or acts of violence.
“We aspire to express our anti-nuclear stance in the simplest manner possible,
one that every like-minded individual can easily emulate at home,” Ko said, as
he took out a huge white umbrella that was covered by signatures and featured
the slogan “stopping the Fourth Nuclear Power Plant for the next generation.”
If an adequate number of such anti-nuclear umbrellas are collected, they could
also be used for a public art installation, Ko added.
Echoing Ko’s proposal, Wu said veteran television hostess Chang Hsiao-yen (張小燕)
and comedian Chu Ko Liang (豬哥亮) were on his shortlist of big-name entertainers
they would like to back their bid.
Describing the Fourth Nuclear Power Plant as a “terrifying assembled vehicle”
that used Japanese-manufactured equipment, but was built based on the design
concept of a US-based firm, Wu said a small and densely populated island such as
Taiwan could not afford to take even the slightest risk of a nuclear disaster.
“How could anyone still be reluctant to end construction of the plant? If our
failure to stop the project now is to result in a catastrophe 50 years later, we
will be held accountable for the misery imposed on future generations,” Wu said.
Wu said that while the anti-nuclear issue had long been politicized, their bid
carried no specific political affiliation and they hoped it would not become a
maneuvering tool of the pan-blue and pan-green camps.
“After all, radiation leakage would occur regardless of which political party is
in charge of the country,” Wu said, adding that Taiwanese must transcend
politics on the issue of nuclear power, particularly in the wake of Japan’s
Fukushima Dai-ichi nuclear disaster on March 11, 2011.
“Perhaps putting an end to the plant’s construction will become the first step
toward conciliation between the pan-blue and pan-green camps,” Wu added.
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